Agustin Lara
Gallery Review 2
April 28th, 2016
Art 350s
The
Erosion of Memory
Today I
went to Bahareh Farahani’s Master of Fine Art Thesis Exhibition, and this is
the second time I’ve been to one of her exhibitions. This exhibition was definitely better than
her first one. She seems to be pushing herself more and coming up with
beautiful works. He tar and acrylic
paintings reminded me of the ones she showed in her previous exhibition, except
these didn’t seem as dark. I say that
because she told us the tar in her paintings was a symbol for Iran and the
struggles she faced living there. These
paintings still contain tar however there are other symbols in the paintings
that generate a happy feeling as you look at them. the pieces I really enjoyed were her laser
cut wax an paper light sculptures. These
were works that I hadn’t seen from her and they blew me away. It was all handmade paper and the aesthetic
that the light created was amazing.
These pieces completely took over the dark space they were in and seemed
to capture and entrance the audience. The only works I didn’t seem to be interested
in were her handmade paper installations.
These works were called Trailing
Ivy, and consisted of handmade paper, vellum paper, acrylic, tar, encaustic
wax, and resin on a wood panel. If I’m
being brutally honest it just seemed like paper with a bunch of glue poured on
it. It didn’t evoke any emotions and
didn’t do a good job of keeping me interested for longer than a few seconds per
piece. I would’ve liked to see more acrylic or tar, or something that just made
these works pop out a bit more.